We are temporarily closed. Sign up to our emails for updates. Beside her, one of the holy women present at the Crucifixion wipes her eyes. Saint John the Evangelist clasps his hands while Nicodemus raises his in despair.
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Patrizia Conte, Andrea Pozza. More from "Introducing era de Luglio In Macerata " album. Introducing era de Luglio In Macerata.
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We are temporarily closed. Sign up to our emails for updates. The Virgin Mary sits in front of a parapet, gazing tenderly at the Christ Child on her lap. Behind her is a cloth of honour, of the kind which was hung behind royalty. The plump infant turns his head away from his mother to look at something outside the picture. The picture might have been a reduced version of a larger composition. Behind the parapet is a landscape dotted with late-medieval buildings. Such landscapes, which look more like northern Europe than Italy, were derived from Netherlandish painting, in particular the work of Hans Memling, which was much revered in Renaissance Italy.
But do not let us quarrel any more, No, my Lucrezia; bear with me for once: Sit down and all shall happen as you wish. You turn your face, but does it bring your heart? I'll work then for your friend's friend, never fear, Treat his own subject after his own way, Fix his own time, accept too his own price, And shut the money into this small hand When next it takes mine. Will it? Oh, I'll content him, - but to-morrow, Love!